![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5cg0l8x3uCShYxfnH9ficjokDChXgO-ogY_qhXLf0ZLf0GQbRqBhXy6uRcgV4pX_zT9nhxRi9JzjWqbp1h5HKB-eDqkkQFgdV5L7sde9qPD1VtTBw5EE_8yg9iMrxnJcKYmjvr_R7Isqc/s400/scat_test.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6YS65id_ZGnPnRU1y_OZqgi15yQIV7a1aD-Dma6R21Af0UX_Pb74mJ8N8L48ZHShtYGrrrb2XCinfpsGfvpkzHQqaINj0ayDaqCQdsy4laTlvynCFDdlDMnXPEuwSl32VIY5xWxmIdxCw/s400/scat_test2.jpg)
My initial intention was to play with the subsurface scattering material and so I created generic matrix of epithelial cells--something abstract enough to recall other forms in nature and design (a honeycomb, a hexogon tiled floor like in Barney's Cremaster cycle). In order to create a mood, I had to expose my fascination for repetition--upset by a mysterious fluid, the stability of repeat is threatened.
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